Last evening, I was listening to Icelandic composer Johann Johannsson, whose music is a delight to hear. Most recently, he composed the soundtrack to the film The Theory of Everything , but I have known and listened to his alternately haunting and moving music for years before that. His powers are on full display in his Fordlandia album, music inspired by the failed experiment of Henry Ford, such as this extended piece below. It made me wonder just what it is about the character of Iceland that has crafted artists like Johannsson, like Sigur Ros or Olafur Arnalds. For that matter, what was it about Russia that crafted Tolstoy and Dostoevsky? Not too many years ago, some doyens of English literary criticism insisted that the work of an author was to be analyzed without the context of the author's life, which would also exclude considering the larger culture at the time. This was a paltry view, to my mind, for we are products of our culture and do not exist independently of ...
Occasional author. Lover of coffee.